Art Basel - Lévy Gorvy
  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

  • Installation view of Lévy Gorvy at Art Basel, 2018

Art Basel

Basel
June 14 - 17, 2018

Booth H11

Messe Basel
Messeplatz 10
4005 Basel
Switzerland

At Art Basel 2018, Lévy Gorvy will feature works by a diverse group of artists representing key figures of the European, American, and Asian postwar period. Anchored in the gallery’s international exhibition program, Booth H11 continues our ongoing tradition of offering a curated presentation for this world-class art fair.

Anamorphosis, the theme of Booth H11, refers to a perceptual effect in which an image appears distorted unless viewed from a specific vantage point. Examples of anamorphic art include the prehistoric parietal paintings of Lascaux, adjusted to read seamlessly across the cave’s oblique angles, and the famously elusive eyes of Leonardo da Vinci’s portraits. The works presented in Booth H11 invite viewers to reassess form as they move through space. From the balance achieved in the curious asymmetry of Eduardo Chillida’s totemic sculpture Besaka (1987), to Lucio Fontana’s painting Concetto spaziale (1955)—a work that subverts the two-dimensionality of the canvas—these works reveal form as a surprisingly dynamic state.

We invite you to explore highlights from Booth H11 here.

 


 

PRESENTING WORKS BY

Terry Adkins | Josef Albers | Diane Arbus | Alberto Burri | Sergio Camargo | Enrico Castellani | Eduardo Chillida | Lygia Clark | Max Ernst | Lucio Fontana | Gego | Mark Grotjahn | Yves Klein | Yayoi Kusama | Henri Matisse | Fausto Melotti | Joan Mitchell | François Morelet | Pablo Picasso | Sigmar Polke | Carol Rama | Martial Raysse | Pierre Soulages | Pat Steir

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Selected Works

  • Gego's sculpture Columna (Reticulárea cuadrada), 1972

    GEGO
    Columna (Reticulárea cuadrada), 1972
    Stainless steel rods, iron washers, four sinkers (weights), and nylon thread
    137​ 3⁄4 x 51 ​3⁄4 x 51 1⁄4 inches (350 x 130 x 130 cm)
    © 2018 Fundación Gego
    Photo Tom Powel

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  • Lucio Fontana's work Concetto spaziale, 1955

    LUCIO FONTANA
    Concetto spaziale, 1955
    Oil, ink, glass, and mixed media on canvas
    25 1⁄2 × 19 11⁄16 inches (65 × 50 cm)
    Signed and titled l. Fontana / 55 (bottom right)
    © 2018 Fondation Lucio Fontana
    Photo Tom Powel

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  • Eduardo Chillida's sculpture Besaka, 1987

    EDUARDO CHILLIDA
    Besaka, 1987
    Iron
    44 7/8 x 7 7/8 x 6 1/8 inches (114 x 20 x 15.5 cm)
    Stamped with artist’s monogram
    © 2018 Artists Rights Society (ARS), New York / VEGAP, Madrid
    Photo Stephen White

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  • Lygia Clark's sculpture Bicho Parafuso sem fim (Md), 1962

    LYGIA CLARK
    Bicho Parafuso sem fim (Md), 1962
    Gold anodized aluminium
    10 5⁄8 x 23 5⁄8 x 17 3⁄4 inches (27 x 60 x 45 cm) (dimensions variable)
    © Lygia Clark
    Photo Elisabeth Bernstein

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  • Enrico Castellani's sculpture Superficie rigata, 1961

    ENRICO CASTELLANI
    Superficie rigata, 1961
    Shaped canvas
    50 3⁄8 x 59 1⁄2 x 10 5⁄8 inches (128 x 151 x 27 cm)
    Signed and titled l. Fontana / 55 (bottom right)
    © 2018 Enrico Castellani / Artists Rights Society (ARS), New York / SIAE, Rome

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  • Jean-Michel Basquiat's painting Crown Hotel (Mona Lisa Black Background), 1982

    JEAN-MICHEL BASQUIAT
    Crown Hotel (Mona Lisa Black Background), 1982
    Acrylic and paper collage on canvas mounted on tied wood supports
    48 13⁄16 x 85 inches (124 x 216 cm)
    © 2018 The Estate of Jean-Michel Basquiat / Artists Rights Society (ARS), New York / ADAGP, Paris

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  • Alberto Burri's work Cretto bianco (White crack), 1958

    ALBERTO BURRI
    Cretto bianco (White crack), 1958
    Acrovinyl on Celotex
    15 1⁄8 x 20 1⁄2 inches (38.5 x 52 cm)
    Signed and dated Burri 58 (on the reverse)
    © 2018 / Artists Rights Society (ARS), New York / SIAE, Rome

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  • Sigmar Polke's painting Untitled, 1980-81

    SIGMAR POLKE
    Untitled, 1980-81
    Metallic paint, acrylic, buttons, and toggles on fabric
    51 x 43 inches (129.5 x 109.2 cm)
    Signed and dated S. Polke 80/81 (on the reverse)
    © Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
    Photo Elisabeth Bernstein

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  • Henri Matisse's work Arbre de neige, 1947

    HENRI MATISSE
    Arbre de neige, 1947
    Gouache and découpage on paper
    16 x 10 1⁄4 inches (40.6 x 26 cm)
    Signed H Matisse (lower right)
    © Succession H. Matisse / DACS 2018

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  • Josef Albers's painting Homage to the Square: Open D, 1951

    JOSEF ALBERS
    Homage to the Square: Open D, 1951
    Oil on Masonite in artist’s own frame
    22 1⁄2 x 23 inches (57.2 x 58.4 cm)
    © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York
    Photo Tom Powel

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Selected Press

Arteconomy24 | Art Basel: dalla frenesia all’acquisto informato sulle opere

June 19, 2018

Il trend “Joan Mitchell”. “Il mood è ottimo” ha dichiarato Brett Gorvy, per 23 anni presidente …

Forbes Italy | Tutte le meraviglie di Art Basel

June 19, 2018

Fra queste spicca lo splendido Basquiat esposto dalla galleria Lévy Gorvy di New York.

Artnet | Price Check! Here’s What Sold—and for How Much—at Art Basel 2018

June 18, 2018

$14 million: Joan Mitchell’s Untitled (1959) at Lévy Gorvy

Forbes Russia | Что смотреть и покупать на ярмарке Art Basel

June 16, 2018

Но как заметил основатель галереи Lévy Gorvy Бретт Горви в …

The Financial Times | Fair Play For Top Names

June 16, 2018

Sales of Mitchells were nonetheless made early at all levels. Zwirner sold its 1958 work, priced at $7.5m, …

Artnet | The 3 Things People Were Talking About at Art Basel, According to Social Media

June 15, 2018

As sales reports flew in, two works by Mitchell—one at Hauser & Wirth and another at Levy Gorvy—were …

Le Figaro | Art Basel, plus grand supermarché de l'art

June 15, 2018

Les 17,5 millions de dollars demandés pour le collage de Jean-Michel Basquiat et les 12,7 millions pour …

The New York Times | Back to Blue-Chip Works at a More Conservative Art Basel

June 15, 2018

There were at least half a dozen paintings by Ms. Mitchell available in the ground-floor “Galleries” …

Der Bund | Jetzt Fliessen in Basel Wieder die Millionen

June 15, 2018

Zwei grosse Leinwände der endlich als gleichberechtigte Abstrakte Expressionistin anerkannten amerikanischen …

Neue Zürcher Zeitung | Jetzt sind die Frauen auf dem Vormarsch

June 14, 2018

Und die Galerie Lévy Gorvy konnte für ein Gemälde von 1959 eine ähnlich hohe Summe lösen und ein …

Artron | 【图集+战报】2018瑞士巴塞尔的火爆与惊喜 喻红作品超千万人民币成交

June 14, 2018

2018年巴塞尔艺术展于(当地时间)6月14日上午11时迎来公众开放日,举办日期跟俄罗斯世界杯完美撞车。不过,提前进行VIP预展的传统应该足够那些想看球的藏家们长途跋涉打飞的往返。不知是否急于买完回家,今年巴塞尔的两日VIP预展销售成绩异常火爆,且充满…

Reuters | At World's Biggest Art Fair, Squeezed Mid-Market Raises Concerns

June 14, 2018

“There was no shortage of top-ticket works on sale at Art Basel, which opened to the public in the …

Artnet | 10 of the Best Artworks at Art Basel 2018

June 13, 2018

Remember the thing about this being the Year of the Woman at Art Basel? Just look at Joan Michell.

ArtIntern | As Art Basel 2018 Begins, First-Day Sales Rack Up in Wake of Buoyant Market

June 13, 2018

A cursory count of more than ten Mitchell paintings of various sizes and vintages at the fair—also …

Artsy | At Art Basel Opening, a Pair of $14 Million Joan Mitchell Sales Shows Surge in Market for Women Artists

June 12, 2018

Lévy Gorvy also had a significant work by Mitchell, a large untitled work from 1959 dominated by a …

Bloomberg | The Art Fair Where $20 Million Impulse Buys Are the New Normal

June 12, 2018

“This was always the premier art fair of the world,” says Brett Gorvy, a co-founder of Lévy Gorvy, …

Bloomberg | She's About to Be the Belle of Basel, Decades After Her Death

June 8, 2018

Next week, several of her paintings will be priced at more than $10 million, including Untitled, a 1959 …

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